Chord progression · B major

The 12-bar blues (12-bar blues) in B major

Twelve bars built from the I, IV and V chords — usually as dominant 7ths for that bluesy bite. The last bar (the “turnaround”) sets up the next time through.

Heard in “Johnny B. Goode” – Chuck Berry, “Pride and Joy” – Stevie Ray Vaughan and many more.

Chords in B major
B7→E7→F♯7
Numerals
I7IV7V7

Play along

12 bars of 4 beats, looping · pick a key above to transpose

1B7I7
2B7I7
3B7I7
4B7I7
5E7IV7
6E7IV7
7B7I7
8B7I7
9F♯7V7
10E7IV7
11B7I7
12F♯7V7

Strum pattern: ↓   ↓↑  ↑↓↑ (down, down-up, up-down-up) — count “1 2 & 3 & 4 &”. Learn this strum →

The chords

I7 B7
×2B1D♯3AB4F♯
3B2D♯1F♯A
BC4AC5D♯F♯B D♯ F♯ A
IV7 E7
E2BD1G♯BE
1G♯2DE3B
BC4DEC5G♯E7/B
V7 F♯7
1F♯3C♯1E2A♯1C♯E
2A♯3E1F♯4C♯
C4EC5C♯F♯A♯F♯7/C♯

Piano voicings use inversions so each chord is as close as possible to the one before — your hand barely moves. Switch to “Root position” to compare.